CHARLOTTE HART ![]()
ALL WORK © CHARLOTTE HART
2011 |
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![]() Education
Art Institute of Chicago, Post Graduate Studies Exhibitions
Manny Cantor Center, Manhattan, New York. Pen and Ink Drawing, Pencil Drawing "The Consequences of Hate Speech" Published Work Anthologies Journal of Modern Poetry 15. "Quills." "Fabrics." 2013 Awards Poets and Patrons Society of Chicago Award. 2014 Catalog Lebendige Linien (Living Lines): Drawings by Charlotte Hart. 2008 Collections The Poets House, New York City, New York: Organic Spirits Organic Spirits by Charlotte Hart. Finishing Line Press. 2011 Journals Thema Literary Magazine, Ten Minutes of the Dog and the Rabbit, 2014 (poem and drawing).Cahoodaloodaling, at Cahoodaloodaling.wordpress.com, Opium, August 2012 Poetica Magazine, Huppah in Fall 2012 Print issue. Apparatus Magazine. Ben Day and Seurat, November 2009 and T'ai Ch, September 2010 Barnwood International Poetry Magazine. Antropomorphic USA, Grass Mud Horse in China and Old Tools to Tell Time. 2011 Thema Literary Magazine,Is it One Line or Three? Fall 2011. Dot Dot Dash.org Shadow Theatre, July 2011. The Aurorean.A Gust of Wind Blew Thousands of Cherry Blossoms, Summer 2011. Apparatus Magazine,Ben Day and Seurat, November 2009 and T'ai Chi, September 2010 Chicago Poetry Press, Cram 3, Plum Tree and After I Told You About Baron, 2008 Illustration What a Funny Little Friend a Dog Is by Mary Belle Harwich. 2007 Notable Quotations The artist's work in progress of modern Biblical illuminations with commentary includes over seven hundred pieces of art and commentary to date. Lewis Manilow, former President of the Museum of Contemporary Art in Chicago, wrote of this work as,"..artistically and spiritually extraordinary. The quality is so high and the vision so strong that I find it an astounding achievement." Christian author and theologian Dr. Martin E. Marty, Professor Emeritus at the University of Chicago wrote of this work: "Anyone can do illustrations and anyone can have devotion, but to conceive of the wedding of these two as [Charlotte Hart] has in drawings and paintings, each of which has a surprising independence of the others and yet all of which are related because they are prismed through a single consciousness with a single intention, is quite a heroic venture." |